
One of my biggest concerns when I began an actual flesh and blood sangha practice was the prospect of chanting aloud. I have sat in meditation for years (not in one stretch) and was comfortable with that aspect of public practice. The altar opening, ritual, bowing and prostrations were equally familiar to me since I spent years performing them on my own in my home. I did not feel self-conscious or nervous about applying in public what I already did at home for a number of years.
Chanting on the other hand, I approached with extreme trepidation. On the surface level, there was the fact that some of the chants were in Japanese or Sanskrit that led to my nervousness. I screwed up the pronunciation of many of the Japanese phonemes or would get lost on the page as my eyes struggled to keep up with the chanting and my brain was lagging far behind in reminding my lips which phonemes were pronounce in which ways.
But language was really only scratching the surface. The material contained in the "Pure Land" sutras seemed shockingly similar to the prayers that were offered in a Christian prayer. It felt like I was asking or beseeching some outer-worldly power to intervene in my behalf. It was not aiding me in focusing on my practice at all. In fact, it was doing the opposite.
Until I ran across this explaination by Ven. Anzan Hoshin roshi that helped put this into perspective:
Chanting on the other hand, I approached with extreme trepidation. On the surface level, there was the fact that some of the chants were in Japanese or Sanskrit that led to my nervousness. I screwed up the pronunciation of many of the Japanese phonemes or would get lost on the page as my eyes struggled to keep up with the chanting and my brain was lagging far behind in reminding my lips which phonemes were pronounce in which ways.
But language was really only scratching the surface. The material contained in the "Pure Land" sutras seemed shockingly similar to the prayers that were offered in a Christian prayer. It felt like I was asking or beseeching some outer-worldly power to intervene in my behalf. It was not aiding me in focusing on my practice at all. In fact, it was doing the opposite.
Until I ran across this explaination by Ven. Anzan Hoshin roshi that helped put this into perspective:
In chanting practice you needn’t be shy, needn’t hold back and whisper. You’re not praying to gods or angels or Buddhas. You are manifesting the power and integrity of breath, sound, and posture as this sound of the moment. Allow the sound to swell from the hara in your lowest natural voice register. Abandon hesitation and self-consciousness and feel the sounds vibrating in belly, throat, and mouth. Feel air as breath being drawn in and released as sound. Penetrate the ten directions with this chanting and wake up all beings by exerting both the dignity of the words and the dignity of your expression of them.
Just as when I focus my breathing while meditating, I began to focus on my breathing while chanting. The actual words became less and less important as they became more internalized in to my routine. I would start chanting and continue without reading the words or even thinking about the words as they came out of my mouth. My voice is still horrible and I fumble (horribly) over the Japanese sometimes but I rarely even care. I like to yell. Its fun. And it has no focus beyond the pushing of the air out of this poor wind bag.
The mind is clear and traceless, it does not ponder the meaning of the words as you chant. An alert posture, pure intention, and moment to moment awareness actualize the meaning of the words.
"Pure Land" sutras or not. It doesn't matter as much anymore. I may not particularly "like" a particular sutra for some reason but in essence reciting it is the same as reciting any other one - its just air being pushed from my lungs.
Focus on the sutra's whole presence first, then focus on the words that come and then on the sounds that arise, leave your mouth and disperse. Soon, you don't even hear the words anymore, they don't matter. Just like the ringing of a bell, the sound is impermanent and drifts into silence - You know that they were there but they're is no evidence of there presence. In understanding the origin and trajectory of those sounds we pay homage to our own innate Buddha-Nature. It doesn't matter what the content is or if the language is familiar or not. It all breaks down in the same way. They all disperse into silence. We chant silence.
Chanting, allow this jewel to shine and, in so doing, see that the jewel has no boundaries and is never limited by any single facet or reflection of light. The Four Great Vows are the essence of the Bodhisattva’s energy, the Heart sutra the Bodhisattva’s mind and so on. Express and actualize these in each sound, each moment of chanting, sitting, walking, working, breathing. In so doing, liberate all beings, all times, all directions, all sounds, all breaths.Cheers,
My sense is that many of the proponents of reforming Buddhism have never actually tried any of the traditional practices - uncomfortable comes up quite often in those discussions. But when one attempts to understand and do them correctly, one finds a whole new world of practice open to them. Well-done on your adventurism, baby steps on the Path! :-)
ReplyDeleteHi Jack,
ReplyDelete"The material contained in the "Pure Land" sutras seemed shockingly similar to the prayers that were offered in a Christian prayer."
Well, yes, it is similar! Not so much of a shock though, surely? The Pure Land path is known as the path of other-power after all.
Funny how in the west standard aspects of everyday Asian Buddhism (devotion, reliance upon other-power, etc) somehow comes across as shocking!
But good for you for sticking with it!
Namu Amitabul,
Marcus
I love chanting. I really took to it quickly, which came as a bit of a surprise to me. In fact, it opened up the fact that I like to sing as well, something I suppressed as a teen and young twenty-something, probably in an effort to "fit in."
ReplyDeleteJack, your last few posts seem to be written directly to me. Very eerie.
ReplyDeleteWe're receiving our own Gohonzon next Monday, and chanting in front of others as a beginner is certainly freaking me out. Thanks for the advice, it's very helpful, and is putting me at ease, and puts into focus what I've been struggling with.
Jack - It's odd, I learned an old Mohawk chant from an old friend awhile back, and the similarities in pitch and tone are spooky. I still use it to this day, but don't chant much in my practice.
ReplyDeleteThanks for another great post!
@ Ashin Sopāka - We need to try the shit before we "reform" it. I prefer a wide range of practice to play with until I find what is working for me. Baby steps is all I got. :)
ReplyDelete@ Marcus - It was shocking to me at the time (with little experience in Pure Land practice) and I was still rebounding over some poor experiences with the Catholic Church (no, not THAT) so it did surprise me.
I do include nembutsu chanting in some of my meditation practice. It is important, I think, to push past the uncomfortable stuff to see if it helps in practice.
I hope to explore Shin practice more when I move back to an area with a temple.
@ Nathan - Oh! I got over the shyness real quick, but my recovering smoker's lungs can't keep up with everyone.
@ Adam - you will love the Sake update then. It has been filtered and bottled. The Chai Beer is in the secondary now.
@ Kyle - Lots of practitioners in the Native American traditions out here do show some similarities to Buddhist practice. The chanting is definately one of them. It would be nice to see a melding of the two. I get some crazy stares because I chant on my ride into work and I do it loudly (sometimes I use Iron Maiden) but I do get some crazy looks.
Oh, and Irish drinking songs also count as chanting.
Run to the Hills!!!!!!!!!!!!!
ReplyDelete